Sol Plaatje’s Mhudi is one of South Africa’s most famous novels.

First published in 1930, it is the first full-length novel by a black South African writer, and is widely read and studied in South African schools, colleges and universities. It has been translated into a number of different languages. Written over 30 years before Chinua Achebe’s famous Things Fall Apart, Mhudi is a pioneering African novel too, anticipating many of the themes with which Achebe and other writers from the African continent were concerned.

Mhudi has had a complicated history. Critics have been divided in their views, and there was a delay of ten years between the time Plaatje wrote the book and when it was published. A century on from when it was written, the time is now right to both celebrate its composition and to assess its meanings and legacy.

In this book, a distinguished cast of contributors explore the circumstances in which Mhudi was both written and published, what the critics have made of it, why it remains so relevant today. Chapters look at the eponymous feminist heroine of the novel and what she symbolizes, the role of history and oral tradition, the contentious question of language, the linguistic and stylistic choices that Plaatje made. In keeping with Mhudi’s capacity to inspire, this book also includes a poem and short story, specially written in order to pay tribute to both the book and its author.

Sol Plaatje is celebrated as one of South Africa’s most accomplished political and literary figures. A pioneer in the history of the black press, editor of several newspapers, he was one of the founders of the African National Congress in 1912, led its campaign against the notorious Natives Land Act of 1913, and twice travelled overseas to represent the interests of his people. He wrote a number of books, including – in English – Native Life in South Africa (1916), a powerful denunciation of the Land Act and the policies that led to it, and a pioneering novel, Mhudi (1930). Years after his death his diary of the siege of Mafeking was retrieved and published, providing a unique view of one of the best known episodes of the South African War of 1899–1902. At the same time Plaatje was a proud Morolong, fascinated by his people’s history. He was dedicated to Setswana, and set out to preserve its traditions and oral forms so as to create a written literature. He translated a number of Shakespeare’s plays into Setswana, the first in any African language, collected proverbs and stories, and even worked on a new dictionary. He fought long battles with those who thought they knew better over the particular form its orthography should take. This book tells the story of Plaatje’s remarkable life, setting it in the context of the changes that overtook South Africa during his lifetime, and the huge obstacles he had to overcome. It draws upon extensive new research in archives in southern Africa, Europe and the US, as well as an expanding scholarship on Plaatje and his writings. This biography sheds new light not only on Plaatje’s struggles and achievements but upon his personal life and his relationships with his wife and family, friends and supporters. It pays special attention to his formative years, looking to his roots in chiefly societies, his education and upbringing on a German-run mission, and his exposure to the legal and political ideas of the nineteenth-century Cape Colony as key factors in inspiring and sustaining a life of more or less ceaseless endeavour.

Provides a wonderfully readable view of the siege of Mafeking, one of the most famous episodes of the South African War. For this centenary edition the editors have returned to the original manuscript for the fullest and most accurate version possible.

When Charles Frederick Ball was killed at Gallipoli in 1915 The Irish Times called him ‘one of the best known botanists and horticulturists in Ireland’. Fred Ball (to friends and family) trained in horticulture at Kew Gardens in the UK, moved to Dublin in 1906, became Assistant Keeper at the Royal Botanic Gardens in Glasnevin, and was editor of the journal Irish Gardening. A skilled plant breeder, he could have expected, in time, to succeed Sir Frederick Moore as Keeper of the Botanic Gardens. Instead, he responded to the call to serve king and country, enlisting in the famous 7th Battalion, Royal Dublin Fusiliers. This book describes Fred Ball’s life and achievements up to his tragic death at Suvla Bay in September 1915, shedding new light on his contribution to Irish horticulture as well as his time as a soldier. It is also the story of Fred Ball’s relationship with Alice Lane, the youngest daughter of a well to do Anglo-Irish family, who was the love of his life. They were married in Dublin in December 1914, just after Fred had joined up. The author, Alice’s grandson, discovered among his mother’s papers a small metal box containing over 100 letters that Fred wrote to Alice between 1911 and 1914. These letters, combined with further research in libraries and archives in Ireland and England, provide a captivating account of Fred Ball’s life in the Victorian and Edwardian worlds of which he was a part. Richly illustrated with historical photographs, Charles Frederick Ball offers a moving testament to a life tragically cut short. “A fascinating story, beautifully told. And what a wonderful collection of photographs.� – Jeff Kildea, author of Anzacs and Ireland “Excellent ... [a] really valuable reference … It is a sad though exciting story.� – Seamus O’Brien, Head Gardener, National Botanic Gardens, Kilmacurragh

International scholars explore one of the most important postcolonial novels of African literature. Joint winner of Best Non-Fiction Biography, Humanities and Social Sciences Awards 2020 Sol Plaatje's Mhudi is the first full-length novel in English to have been written by a black South African and is widely regarded as one of Africa's most important literary works. Drawing upon both oral and literary traditions, Plaatje uses the form of the historical novel, and romance genre, to explore the 19th-century dispossession of his people, to provide a novel black perspective on their history. It is a book that speaks to present-day concerns, to do with land, language, history and decolonisation. Today the novel has iconic status, not only in South Africa, but worldwide - it has been translated into a number of languages - and its impact on other writers has been profound. The novelist Bessie Head described it as "more than a classic; there is just no other book on earth like it. All the stature and grandeur of the author are in it." A century after its writing in London in 1920 [it was published in South Africa in 1930, for reasons explained in the book], and at a time of intellectual ferment, with debates on decolonisation to the fore, in popular culture as much as in the academy, this book celebrates Mhudi's place in African literature, reviews its critical reception, and offers fresh perspectives. The contributors discuss Mhudis genesis, writing and publication; its reception by literary critics from the 1930s to thepresent; Mhudi as a feminist novel; Mhudis use of oral tradition; issues of translation; Mhudi in the context of African literature and history, and the decolonisation of the curriculum. An authoritative listing of all editions of Mhudi, translations as well as in English completes the book. SABATA MOKAE is a novelist and lecturer in creative writing at Sol Plaatje University, Kimberley, and the author of The Story of Sol T. Plaatje (2010). BRIAN WILLAN is Senior Research Fellow at Rhodes University, Extraordinary Professor at Sol Plaatje and North West Universities. He is the author of Sol Plaatje: a life of Solomon Tshekisho Plaatje,1876-1932 (2018), and co-editor (with Janet Remmington and Bheki Peterson) of Sol Plaatje's Native Life in South Africa: Past and Present (2016). Africa: Jacana

First published in 1916 and one of South Africa’s great political books, Native Life in South Africa was first and foremost a response to the Native’s Land Act of 1913, and was written by one of the most gifted and influential writers and journalists of his generation. Sol T. Plaatje provides an account of the origins of this crucially important piece of legislation and a devastating description of its immediate effects.

First published in 1916, Sol Plaatje’s Native Life in South Africa was written by one of the South Africa’s most talented early 20th-century black leaders and journalists. Plaatje’s pioneering book arose out of an early African National Congress campaign to protest against the discriminatory1913 Natives Land Act. Native Life vividly narrates Plaatje’s investigative journeying into South Africa’s rural heartlands to report on the effects of the Act and his involvement in the deputation to the British imperial government. At the same time it tells the bigger story of the assault on black rights and opportunities in the newly consolidated Union of South Africa – and the resistance to it. Originally published in war-time London, but about South Africa and its place in the world, Native Life travelled far and wide, being distributed in the United States under the auspices of prominent African-American W E B Du Bois. South African editions were to follow only in the late apartheid period and beyond. The aim of this multi-authored volume is to shed new light on how and why Native Life came into being at a critical historical juncture, and to refl ect on how it can be read in relation to South Africa’s heightened challenges today. Crucial areas that come under the spotlight in this collection include land, race, history, mobility, belonging, war, the press, law, literature, language, gender, politics, and the state.

A contemporary account of the war from an African intellectual. This diary offers a view of the siege of Mafeking, one of the most famous sieges of the South African War. The author, Sol Plaatje, was one of the founders of the African National Congress in 1912. Additional material from oral and archival research has also been incorporated into this edition. South Africa: David Philip/New Africa Books

While the story of modern South Africa has long captured global attention, the story of one of its key forefathers has been eclipsed by those of more iconic political figures. In Sol Plaatje: A Life, Brian Willan restores to history the importance of a remarkable man whose contributions as an intellectual, politician, teacher, linguist, and journalist expanded and advanced the vision of a common South Africa. Drawing on an extraordinary range of sources reflecting decades of archival and field work, Willan animates Plaatje's personal and professional fortunes in the context of the tumultuous changes that overtook South Africa during his lifetime, spanning the country's industrialization and the rise of African nationalism in the early twentieth century. A pioneer in the history of the black press and a literary luminary, Plaatje translated Shakespeare into his native tongue, Setswana, the first such into any African language. Plaatje was a founder of the African National Congress in 1912 and led its campaign against the notorious Natives Land Act of 1913, efforts resonant more than a century later as the ANC today seeks to salvage its legacy from the stain of twenty-first-century corruption. This richly woven biography is essential reading for anyone interested in the generation of black leaders who came before Mandela.